Wednesday, April 30, 2014

Sarah's Key Discussion Guide

Book:     Sarah's Key
Author:  Tatiana de Rosnay
Edition:  St. Martin's Griffin Edition: October 2008

You can purchase Sarah's Key online at Hugo Bookstores.

Major Characters

1942:
Sarah Starsynski (known as Sirka until she stays with Genevieve and Jules): 10 year old French Jewish girl taken in the Velodrome d’Hiver roundup July 16, 1942
Michel: Sarah’s 4 year old brother
Rachel: girl with whom Sarah escapes from Beaune-la-Rolande
Genevieve and Jules Dufaure: French couple who take Sarah in after her escape

2002 to present:
Gaspard Dufaure: grandson of Jules and Genevieve
Julia Jarmond: An American journalist living in Paris in 2002
Zoe: Julia’s 11 year old daughter
Bertrand: Julia’s French husband
Mame Tezac: Bertrand’s grandmother
Edouard: Bertrand’s father, Mame’s son
Joshua: Julia’s American editor, living in Paris
Bamber: Photographer working with Julia
Frank Levy: Head of association organizing commemorations for 60th anniversary of the roundup.


Locations

26, rue de Saintonge: Sarah’s family’s apartment. Tezacs move in in July 1942, after the round up.
Velodrome d’Hiver: Where Jewish families were taken after Paris roundup in July 1942 and kept for several days before being sent to camps
Beaune-la-Rolande: The Loiret camp where Sarah and her parents were taken and from where Sarah escaped

Discussion Topics


History

How much of the historical story were you aware before reading the book? How did having the historical elements integrated into a novel affect your understanding, awareness and reaction to the Velodrome d'Hiver roundup?


Point of view

For the first half of the book the chapters alternate between Sarah’s story, told in the 3rd person, with Julia’s story, told in the first person. Then when Edouard tells his memory of Sarah arriving at his apartment and finding her brother’s body, the book shifts to only Julia’s point of view (page 156).


It is as if Sarah’s story is now in the present because someone in the present is sharing the story. The story can be revealed by characters in the present.  No longer is the story hidden.

How does the author use each point of view to convey the story? What is crucial in Sarah’s point of view? In Julia’s?

The Key

The key is used as a symbol for Sarah’s secret, both in her life and after her death.  The key is both physically the opening of a secret and metaphorically—Sarah hides it in her pocket and keeps the secret, she brings it out to share the secret. When Sarah tells her father about her brother she shows him the key (page 22). When Sarah reveals the key to red haired policeman she tells him that she locked her brother in the closet (page 90)

What keys have been revealed to you? What keys have you kept hidden and later revealed?

Secrets and Communication

Secrets are kept throughout the book. A number of individuals know pieces of Sarah’s story, but keep them hidden. Edouard isn’t even aware that his mother knew about Sarah until Zoe tells him after Mame’s stroke. Other secrets are kept as well—Sarah’s parents had not told Sarah of the true danger they were in before the roundup. Or why. Page 40: “If they had told her, if they had told her everything they knew, wouldn’t that have made today easier?”

In the short term the secrets make it hard for Sarah to understand what is happening. In the longer term the secrets are shown to age and eat away at the secret keepers.

Julia often blurts out information she has learned without thinking through either the ramifications or how to best communicate what she knows.  How do Julia's revelations help and hurt her and those she shares them with?

How can we achieve a balance between sharing the weight of our burdens and minimizing pain to those we love?  Especially in this age of immediate communication, when is better to refrain from exposing a feeling, an act, an event witnessed or at least pause to consider the impact our revelation may have?  When do secrets long held become a burden?

What themes struck you in the book?

Friday, April 18, 2014

The Particular Sadness of Lemon Cake Discussion Guide

Book:     The Particular Sadness of Lemon Cake
Author:  Aimee Bender
Edition:  Doubleday hardcover, 2010

You can purchase The Particular Sadness of Lemon Cake online at Hugo Bookstores.

Major Characters

Rose Edelstein, narrator starting at 9 years old
Joseph, Rose’s older brother by 5 years
George, Joseph’s classmate and Rose’s support
Lane Edelstein, mom, Rose’s mother
Paul Edelstein, dad, Rose’s father
Grandma, Rose’s distant grandmother who lives in Washington State and never visits
Eddie Oakley, dodgeball rival, classmate
Eliza, classmate with a crush on George
Sherrie, classmate who uses Rose’s talent as therapy
Larry, co-op president, with whom mom is having an affair
Carl, dad’s college roommate

Locations

Willoughby Ave, Hollywood, CA, home of Edelsteins
Bedford Gardens, where Joseph has his apartment
La Lyonnaise—restaurant where Rose ends up working

Discussion Topics


Tasting Feelings

Can you imagine what feelings might taste like?  Rose reacts so violently to her mother’s sadness, “You’re so sad in there, I said and alone, and hungry, and sad, “ page 75.   On page 242 Rose tastes her own feelings.  How does she react to that tasting?  How does she grow through her cooking?

What must it feel like to have someone else’s feelings be a part of you? Have you ever felt someone else’s sorrow or joy so deeply, that it was a part of you?  How are messages of need communicated among people?  How do you receive others deepest feelings?  How do people ‘shed’ their feelings among others?

Talents

Rose, Joseph and Dad each have a unique talent.  Rose, the ability to taste emotions in food; Joseph the ability to morph into objects; the grandfather theh ability to smell people’s feelings;  Dad, possibly a medical ability which he doesn’t explore (page 263).  Each character has more ‘typical’ talents as well—Rose the ability to meet people (page 40) and Joseph, extreme intelligence.  Dad, says his skill is making relationships happen—when referring to the footstool escapade in Berkeley—page 119.

Rose’s realization of Joseph’s ability grows over time.  She first notices his ability as a blur, page 47 then expands on page 114 “my brother had taken to disappearing”  and disappears when he babysits, page 122 and again on his high school graduation day, page 145.   Finally he disappears into the chair page 189.   He asks for the grandmother’s folding chairs. Why were those chairs important to Joseph? How do the characters react to one another’s more typical talents?  How is Rose bothered by Joseph’s intelligence?  How is Joseph burdened?  What does Joseph’s ability to morph into objects represent to you?  What does Rose’s ability to taste people’s feelings represent to you?

How does Rose react to finding out that George is helping Joseph with his studies and not the other way around?  What does Mom think of Dad’s talent of making the footstool seem like fate?  Dad says to Rose (page 170) “You have things to offer, he said, gruffly.” That is nearly the extent of their heart to heart talk.

Do you remembering discovering that a sibling or a parent wasn’t the best in some category where you had them on a pedestal?  How did you react?  How have your parents recognized or ignored your abilities?

Each faces his or her more unusual talent in significantly different ways.  Rose confronts hers head on, talking with friends (George takes her to a bakery, page 60-67) and doctors about her taste sensations and eventually uses her talent to help teens.  Joseph keeps his talent private, yet seems to pursue his ability to morph into objects. And Dad avoids his talent—staying outside of hospitals even for the birth of his children and when Joseph is hospitalized.  Dad doesn’t want to explore his talent “No, he said.  I’m sorry, Rose. I saw what it did to my father.  I’m not going in.” page 264.  “Going in” may refer specifically to going into hospitals, but it can also take on a more symbolic meeting—Dad doesn’t want to go into his talent, to explore his skill.  Rose is amazed that her father has a choice—he can avoid facing his talent. But does he truly avoid it?  He isn’t in the hospital for his children’s births or for Joseph in the ER.  What is the downside of ignoring his talent?  How might Joseph and Rose have faced their fates differently if Dad had embraced his talent?

What talents do you have?  How do you embrace or avoid them?  How do you share them with others?  What talents do you see others sharing?  Hiding?  What are the positive aspects of talents and what are negative?

Characters have varying degrees of belief in Rose’s, Joseph’s and Dad’s abilities.  George embraces and believes both that Rose can taste feelings and Joseph can move into objects.  George sees Rose’s talent as a positive, “It’s not a problem, it’s fantastic.” Page 71.  Sherrie uses Rose’s talent and ignores the rest of Rose (page 159-161) .  How do others’ reactions to their talents support or diminish each character?  The school nurse and emergency room doctors don’t believe her and try to fit her into what they know— “she seems to be okay.  Give her time,” page 79. 

How have you supported a friend or a family member as he or she has explored her talents?  How have you dismissed someone’s talents or seen someone’s talents dismissed?  What talents do you see in others that they are unaware of?


Relationships

Parent/child
Joseph and his mother seem to have a much stronger bond than Rose and her mother.  How does Rose react?   Page 69 “sometimes I wondered if, on Saturdays, she dragged her hands over raw wood to preserve the special time with him.”  And yet Rose actually knows more about how her mother is feeling than her brother.  And she tells herself she needs to pretend she doesn’t, page 81: “and now my job was to pretend that I did not get the message.”  Later Rose has a different view of her brother removing the splinters page 250 – “he was also removing all traces of any tiny leftover parts, and suddenly a ritual which I’d always found incestuous and gross seemed to me more like a desperate act on Joseph’s part to get out, to leave, to extract every little last remnant and bring it into open air.”

Page 280 mom admits that she sometimes feels like she doesn’t know her children.  Rose thinks this is the humblest thing a mother could admit.  How do you think Rose feels about this? 
Have you ever felt like your parent didn’t know you?

Grandmother
What significance do the grandmother’s “gifts” and phone calls have? Page 99 “We still got regular packages of household items from Grandma, slowly mailing her life away in Washington State”  How did you react to the grandmother’s pronouncement on page 91 “But you don’t even know me.  How can you love me?  It should be earned.”   What do you make of that?  On page 100, Mom offers to Rose a few bits of her relationship with her mother. How would you characterize the relationship between the Mom and the Grandmother? 


When have you reached out to help someone and been rebuffed?   Do you see varying degrees of emotional bonds between parents and children?  How does that make you feel?

Spouses
Mom believes in signs. She believes her finding Dad was a sign.  How does she react on her wedding day when Carl tells the story of the footstool?  Page 89-90.  How do you think her marriage and subsequent affair were shaped by that knowledge?  Would it have been different if she had never found out?  What does the footstool represent to Rose and why does she want to keep it?   Page 91, “I patted the seat.  This one, I said.  The velvet was soft.  I sidestepped the piles and took it for my room.”

What have you wanted to hold onto from your parents’ relationship?  How have your relationships been changed by finding out something did not happen as you thought?

George
How is Rose’s relationship with George stifled? How is it fulfilled or unfulfilled?  Should they have come together? Why didn’t they?

Siblings
When does Rose feel close to Joseph?  What draws them together?  What pulls them apart?

Growing Up

On page 279 Rose says she wants to go back to the innocence of being 8. 

When have you wanted to go back?  What information do you wish you didn’t know?

Friday, April 11, 2014

Orphan Train Book Discussion Guide


Book:       Orphan Train
Author:    Christina Baker Kline
Edition:    HarperCollins softcover, 2013

This book guide has moved to my new blog, Relevant Reads. Please find all my new guides there.

The Rent Collector

Book : The Rent Collector Author : Camron Wright Edition : Hardcover, Shadow Mountain, 2012 This book guide has moved to my new ...